蔡梅芳《戀戀紫藤》登上日本第82回現展，以彩墨風暴凝聚花卉記憶與情感張力

詳細內容: By RUMOTAN 編輯部; 六 06

文章索引

台灣藝術家蔡梅芳以彩墨作品《戀戀紫藤》參與東京國立新美術館第82回「現展」，展現花卉意象在當代彩墨中的流動性與精神深度。

台灣藝術家蔡梅芳 Tsai Mei-Fang將以作品《戀戀紫藤》參與2026年日本第82回「現展」。本屆展覽由日本現代美術家協會主辦，將於2026年5月27日至6月8日在東京六本木國立新美術館舉行。

蔡梅芳為本屆第82回日本「現展」台灣參展藝術家之一，其創作以彩墨語言與花卉意象為主要表現方向。本次參展作品《戀戀紫藤》被專題評論定位為結合彩墨風暴、動態崇高與情感錨點的作品，顯示其創作並非單純描繪自然花卉，而是將花卉轉化為承載情感記憶與精神張力的當代彩墨圖像。

值得注意的是，蔡梅芳已於2025年被推舉為「現展會友」，這代表她不只是以海外藝術家身分參與日本公募展，而是已逐步進入日本現代美術家協會「現展」的制度性評價結構。

82回台灣參展者廖純沂教授代表台灣參展者與日本現展審查員松永匠一、會長渡邊泰史、審查員八幡一郎於作品前合影。

《戀戀紫藤》以紫藤花作為核心意象，透過彩墨的流動、滲化與色層交疊，將自然花卉轉化為具有情感重量的視覺場域。作品不僅描繪植物形態，更以筆墨與色彩形成一種動態的心理空間，使花卉成為記憶、情感與時間感的承載物。

在第82回現展的脈絡中，蔡梅芳的作品進入日本現代美術公募展制度，意義不僅是海外展出，更是在日本國家級美術館場域中接受觀看與評論。

《戀戀紫藤》可從「彩墨風暴、動態崇高與情感錨點」三個方向理解。
紫藤花不只是自然題材，而是情感記憶與生命經驗的象徵。
蔡梅芳的彩墨語言，使花卉成為可被閱讀的當代藝術文本。

展覽資訊

展覽名稱： 日本第82回現代藝術家展／第82回現展

展期： 2026年5月27日（三）至6月8日（一），6月2日（二）休館

地點： 日本國立新美術館，東京都港區六本木7-22-2

主辦： 日本現代美術家協會

參展藝術家： 蔡梅芳 Tsai Mei-Fang

參展作品： 《戀戀紫藤》

Taiwanese artist Tsai Mei-Fang participates in the 82nd “Genten” Exhibition at The National Art Center, Tokyo, with her color-ink work Lingering Wisteria, demonstrating the fluidity and spiritual depth of floral imagery in contemporary color ink.

Professor Liau Chun-Yi, representing the Taiwanese participants of the 82nd Exhibition, poses for a photograph with Ichiro Yahata, juror of Japan Genten.

Taiwanese artist Tsai Mei-Fang will participate in the 2026 82nd “Genten” Exhibition in Japan with her work Lingering Wisteria. Organized by the Japan Contemporary Artists Association, this year’s exhibition will be held from May 27 to June 8, 2026, at The National Art Center, Tokyo, in Roppongi, Tokyo.

Tsai Mei-Fang is one of the Taiwanese artists participating in this year’s 82nd “Genten” Exhibition in Japan. Her artistic practice mainly focuses on the language of color ink and floral imagery. Her participating work, Lingering Wisteria, is positioned by the special review as a work that combines color-ink storms, dynamic sublimity, and emotional anchors. This indicates that her creation does not merely depict natural flowers, but transforms floral imagery into contemporary color-ink images that carry emotional memory and spiritual tension.

Tsai Mei-Fang’s Lingering Wisteria appears at the 82nd Genten Exhibition in Japan, condensing floral memory and emotional tension through a storm of color ink.

It is worth noting that Tsai Mei-Fang was recommended as a “Genten Fellow” in 2025. This means that she is not merely participating in a Japanese open-call exhibition as an overseas artist, but has gradually entered the institutional evaluation structure of the “Genten” system under the Japan Contemporary Artists Association.

Professor Liau Chun-Yi, representing the Taiwanese participants of the 82nd Exhibition, poses in front of the works with Japan Genten juror Shoichi Matsunaga, president Yasushi Watanabe, and juror Ichiro Yahata.

Lingering Wisteria takes the wisteria flower as its central image. Through the flow, diffusion, and layering of color ink, the work transforms natural flowers into a visual field with emotional weight. The work not only depicts the forms of plants, but also uses brushwork, ink, and color to create a dynamic psychological space, allowing flowers to become carriers of memory, emotion, and a sense of time.

Within the context of the 82nd Genten Exhibition, Tsai Mei-Fang’s work enters the open-call exhibition system of Japanese contemporary art. Its significance lies not only in overseas exhibition, but also in being viewed and reviewed within the setting of a national-level art museum in Japan.

Lingering Wisteria can be understood from three perspectives: “color-ink storms, dynamic sublimity, and emotional anchors.”
Wisteria flowers are not merely a natural subject, but symbols of emotional memory and life experience.
Tsai Mei-Fang’s color-ink language transforms flowers into contemporary artistic texts that can be read and interpreted.

Exhibition Information

Exhibition Title: The 82nd Japan Contemporary Artists Exhibition / The 82nd Genten Exhibition

Exhibition Period: May 27, 2026 (Wednesday) to June 8, 2026 (Monday); closed on June 2 (Tuesday)

Venue: The National Art Center, Tokyo, 7-22-2 Roppongi, Minato-ku, Tokyo, Japan

Organizer: Japan Contemporary Artists Association

Participating Artist: Tsai Mei-Fang

Participating Work: Lingering Wisteria

台湾の芸術家・蔡梅芳（Tsai Mei-Fang）は、彩墨作品《恋恋紫藤》により、東京・国立新美術館で開催される第82回「現展」に参加し、現代彩墨における花卉イメージの流動性と精神的深度を示している。

第82回台湾出品者廖純沂教授が台湾出品者を代表し、日本現展審査員・八幡一郎氏と記念撮影。

台湾の芸術家蔡梅芳 Tsai Mei-Fangは、作品《恋恋紫藤》により、2026年日本第82回「現展」に参加する。本展は日本現代美術家協会の主催により、2026年5月27日から6月8日まで、東京・六本木の国立新美術館にて開催される。

蔡梅芳は、本年度第82回日本「現展」に参加する台湾出品芸術家の一人であり、その創作は彩墨の言語と花卉イメージを主な表現方向としている。今回の出品作品《恋恋紫藤》は、専門評論において、彩墨の嵐、動的崇高、そして感情の錨を結びつけた作品として位置づけられている。これは、彼女の創作が単に自然の花を描写するものではなく、花卉を感情の記憶と精神的緊張を担う現代彩墨のイメージへと変容させていることを示している。