廖純沂《未盡・浮境》參展日本第82回現展，描繪懸浮花卉中的液態心理風景

詳細內容: By RUMOTAN 編輯部; 六 06

文章索引

以花卉、流動色彩與開放構圖構築未完成的心靈場域，廖純沂於國立新美術館呈現台灣當代藝術的柔性深度。

82回台灣參展者廖純沂教授代表台灣參展者與日本現展審查員松永匠一、會長渡邊泰史、審查員八幡一郎合影。

台灣藝術家廖純沂 Liau Chun-Yi以作品《未盡・浮境》參與日本第82回「現展」。本屆現展由日本現代美術家協會主辦，將於2026年5月27日至6月8日在東京國立新美術館舉行。

廖純沂為本屆第82回日本「現展」台灣參展藝術家之一，其作品《未盡・浮境》以花卉、流動色彩與懸浮構圖作為主要視覺語言。其創作置於「液態現代性、懸浮花卉與心理拓撲」的脈絡中，顯示廖純沂的藝術背景可被理解為對當代心理狀態、流動感與未完成生命經驗的視覺探索。

在本屆台灣藝術家群像中，廖純沂的作品具有鮮明的心理性與詩意特質。其創作並非單純再現花卉，而是透過花卉的懸浮、漂移與空間開放性，將自然意象轉化為內在感知與精神場域。

《未盡・浮境》以懸浮的花卉形象與流動的畫面結構，呈現介於現實、記憶與心理之間的空間狀態。作品名稱中的「未盡」指向尚未完成、仍在延續的生命情境；「浮境」則暗示一種不穩定、開放而漂浮的精神場域。

在國立新美術館的展覽場域中，《未盡・浮境》不只是個人創作的呈現，也使台灣藝術家的心理風景進入日本現代美術制度的公共觀看場域。

《未盡・浮境》以懸浮花卉象徵當代生命狀態的不確定性。
作品可從「液態現代性」與「心理拓撲」角度理解。
花卉不再只是裝飾性題材，而是心理空間與精神狀態的投射。

展覽資訊

展覽名稱： 日本第82回現代藝術家展／第82回現展

展期： 2026年5月27日（三）至6月8日（一），6月2日（二）休館

地點： 日本國立新美術館，東京都港區六本木7-22-2

主辦： 日本現代美術家協會

參展藝術家： 廖純沂 Liau Chun-Yi

參展作品： 《未盡・浮境》

**Liau Chun-Yi’s Unfinished · Floating Realm Exhibited at the 82nd Genten Exhibition in Japan, Depicting a Liquid Psychological Landscape Through Suspended Flowers**

Using flowers, flowing colors, and an open composition to construct an unfinished field of the mind, Liau Chun-Yi presents the gentle depth of Taiwanese contemporary art at The National Art Center, Tokyo.

Professor Liau Chun-Yi, representing the Taiwanese participants of the 82nd Exhibition, poses for a photograph with Japan Genten juror Shoichi Matsunaga, president Yasushi Watanabe, and juror Ichiro Yahata.

Taiwanese artist Liau Chun-Yi participates in the 82nd “Genten” Exhibition in Japan with her work Unfinished・Floating Realm. Organized by the Japan Contemporary Artists Association, this year’s Genten Exhibition will be held from May 27 to June 8, 2026, at The National Art Center, Tokyo.

Professor Liau Chun-Yi, a Taiwanese participant of the 82nd Exhibition, poses for a photograph in front of the work with Japan Genten juror Ichiro Yahata.

Liau Chun-Yi is one of the Taiwanese artists participating in this year’s 82nd “Genten” Exhibition in Japan. Her work Unfinished・Floating Realm uses flowers, flowing colors, and a suspended composition as its primary visual language. Placed within the context of “liquid modernity, suspended flowers, and psychological topology,” her practice shows that Liau Chun-Yi’s artistic background can be understood as a visual exploration of contemporary psychological states, a sense of fluidity, and unfinished life experiences.

Liau Chun-Yi’s Unfinished・Floating Realm participates in the 82nd Genten Exhibition in Japan, depicting a liquid psychological landscape among suspended flowers.

Among the portraits of Taiwanese artists in this year’s exhibition, Liau Chun-Yi’s work possesses distinct psychological and poetic qualities. Her creation does not simply reproduce flowers; rather, through the suspension, drifting movement, and spatial openness of floral forms, she transforms natural imagery into inner perception and a spiritual field.

Unfinished・Floating Realm presents a spatial state between reality, memory, and psychology through suspended floral images and a flowing pictorial structure. The word “Unfinished” in the title points to a life condition that remains incomplete and continues to unfold, while “Floating Realm” suggests an unstable, open, and drifting spiritual field.

Within the exhibition setting of The National Art Center, Tokyo, Unfinished・Floating Realm is not only a presentation of an individual artistic practice, but also brings the psychological landscape of a Taiwanese artist into the public viewing field of Japan’s contemporary art system.

Unfinished・Floating Realm uses suspended flowers to symbolize the uncertainty of contemporary states of life.
The work can be understood from the perspectives of “liquid modernity” and “psychological topology.”
Flowers are no longer merely decorative subjects, but projections of psychological space and spiritual states.

Exhibition Information

Exhibition Title: The 82nd Japan Contemporary Artists Exhibition / The 82nd Genten Exhibition

Exhibition Period: May 27, 2026 (Wednesday) to June 8, 2026 (Monday); closed on June 2 (Tuesday)

Venue: The National Art Center, Tokyo, 7-22-2 Roppongi, Minato-ku, Tokyo, Japan

Organizer: Japan Contemporary Artists Association

Participating Artist: Liau Chun-Yi

Participating Work: Unfinished・Floating Realm

廖純沂《未尽・浮境》、第82回現展に出品 ― 浮遊する花々の中に液体的な心理風景を描く

花卉、流動する色彩、そして開かれた構図によって未完成の心の場を構築し、廖純沂は国立新美術館において台湾現代美術の柔らかな深度を提示している。

第82回台湾出品者廖純沂教授が台湾出品者を代表し、日本現展審査員・松永匠一氏、会長・渡邊泰史氏、審査員・八幡一郎氏と記念撮影。

台湾の芸術家廖純沂 Liau Chun-Yiは、作品《未尽・浮境》により、日本第82回「現展」に参加する。本年度の現展は日本現代美術家協会の主催により、2026年5月27日から6月8日まで、東京の国立新美術館にて開催される。

廖純沂は、本年度第82回日本「現展」に参加する台湾出品芸術家の一人であり、その作品《未尽・浮境》は、花卉、流動する色彩、そして浮遊する構図を主要な視覚言語としている。その創作は「液状化する近代性、浮遊する花卉、心理的トポロジー」という文脈に置かれ、廖純沂の芸術的背景が、現代の心理状態、流動感、そして未完成の生命経験に対する視覚的探究として理解できることを示している。